We float

Clearwater Bay

On off days, in good places, we have nowhere to be save on the water, or under it. The joy of the first quick dunk or dive is hard to match. Submerging always provides such a clear break with the world above. We have spent much time adrift, from houseboats on Lake Shasta or Lake Havasu to inner tubes in cold rivers in the Pacific North West or warmer ones in upstate New York. In recent years we’ve gotten lucky, spending days on the Colorado at the bottom of the Grand Canyon and on kayaks around small islands in Raja Ampat. All these breaks bring peace to the rest of our lives, give us small gaps of distance from the burdens of to-do-lists and spreadsheets, product meetings and sample reviews.

The best gift, in times like these, is to have such peace available near to home. In San Francisco we used to get moments of separation on an old sailboat with a haphazard group of acquaintances, telling stories of landmarks and wondering about the history of boats we passed beneath the Bay Bridge. Each time out was a gift, the reward of friendships we never expected to discover.

In Hong Kong on a Saturday we hop off the side of the boat as it comes to a stop in Clearwater Bay, around the corner and out of sight of the city. The water lives up to the name, and the temperature is perfect. For hours we swim and drift, chat and throw discs as the water laps gently at our arms and necks. We jump off the boat’s second deck and dive for thrown objects from the first. On board we eat, sing, and laugh. The guitar gets some work, as do the flippers. Mostly, though, we relax. In the middle of a long year, in the middle of an undetermined period of limitations and stress, it’s wonderful to have so much physical joy at hand, and so few risks.

Save, of course, for those who are afraid of heights, who are lightly heckled to jump and either do or retreat from the edge to laughter. Still, this is a mild form of pressure, that of friends with no risks save a momentary stutter of the heart as the feet leave the deck.

It’s a good way to spend a Saturday, and a good reminder that wherever we are, we need to step off the edge and into water every now and again.

Fishing for peace

Harbor view

On the edge of a block of concrete built to support a highway, they fish. It’s Sunday, and the sun is going down on the weekend, out to our left behind the island. These concrete chunks would already be in shadow were they not perpetually so because of the highway above. In Hong Kong some shade is a good thing, and these are regular fishing spots. The fishermen, for they are all men, seem to know who sits where without any spoken interaction, which points to a long established tradition. People have been fishing these blocks on the shore of Quarry Bay for years, probably since before there were concrete blocks to fish from.

The real joy from this spot isn’t the fishing, though. It’s the water, and the view across to Kowloon, Lion Rock, and Kwun Tong. That far shore is still lit, a beautiful shimmer of golden hour glory and the bay’s moving reflection that emphasize how much Hong Kong is a city of the ocean and the mountains. And so there are photographers here too, both casual and more serious, trying to capture this light. In so many ways the city, the dense urban towers that are home to eight million people, appears the smallest part of the view. Perhaps this is why so many people are able to live so tightly; the water and mountains are often in sight and rarely out of reach.

The story of density is told frequently as a sacrifice, but rarely as a comfort. Here, watching the fishermen sit on their blocks of concrete, rods out and down and lines into the bay, less than a dozen feet from each other and mostly silent, is a reminder that company without conversation can bring peace. In many ways the stories of dense urban areas are not of individual apartments but of shared spaces. Whether Central Park in New York or along the rivers of Paris and Rome, the spaces we share are what builds the fabric of the city. In these spaces we see each other, and are not alone.

In Hong Kong as Sunday ends I am so happy to walk the shoreline and watch all those out, like me, to find some peace. Fishing, jogging, taking photos, or just wandering, we’re all here together, part of this island and this city.

Sails raised

Bay

From the water all the stories seem true. San Francisco’s towers are a blend of new and old, and the bridges that link it to the surrounding hills are huge feats of engineering with graceful lines. On this Sunday the light and waves are perfect, neither dull nor overwhelming. We move at a good clip, up from the ballpark and around Treasure Island. On the north side, past Angel Island, there is a race on, a set of boats loosely grouped with similar sails raised. One of our companions, a racer himself, describes their paths and the rules as they tack around and farther from our view.

This short jaunt with new friends is educational. I learn about the wind’s two seasons, stronger summer and calmer winter. Our April Sunday feels like summer, with gusts pushing us south as soon as we pass the ballpark’s shelter. Our biggest shock comes in the missing Cape Horn, no longer tied alongside it’s companion the Cape Hudson. After ten years, the departure is a shock to seasoned sailors and city dwellers alike. Luckily we live in the age of curiosity, and it is quickly located via search, under power heading south down near Monterey. Why it is on the move remains a mystery that fuels much of our next half hour’s conversation.

Getting out on the water is one of the treasures of life here. With a bay large enough for container ships, ferries, cruise liners, and sailboats, it’s part of life in a different way than the waters near Shanghai, New York, or Tokyo. After eight years, I’m glad to be on a sailboat, grinding and tailing in turn as we make our way out and back. It’s a lucky coincidence, an invite we never expected, and we are happy to have said yes.

Sometime in the past few years yes became a goal. At least once a day, to something unplanned on waking. With a smile if at all possible, say yes once a day. It’s a small habit, a trick to play on my own nature to keep adventuring, to keep moving in new orbits and avoid the drag of laziness. Often I follow Tara, which counts. Often we follow someone entirely new, or old friends we did not plan to meet. In this way we end up at dance recitals and at track workouts, and learn in both cases.

Sometimes we end up out on the bay on a Sunday in April, watching the water and the land in equal measure, talking of ships and sails until we return to the dock and remember our knots.

Twelve paws

For a few moments tonight, in the heat of a late San Francisco evening, our entire family was in the tub.

On hot days we fill it with cold water, just an inch or two to cool the feet. It’s a cheap means of refreshment. We leave it like this all day, and frequent it between projects. Sometimes we catch each other standing quietly in the tub in the dark reading something on our phones. This is modern life, combining fast internet and rising temperatures.

Today, relaxing at home on the first weekend of the off season, we taught Mr. Squish our trick. As cats go he’s comfortable in water, a result of taking baths twice a month since he was very small. In hot weather he minds them less, the drying process being a benefit rather than a hassle. Today he took a cold shower, a more recent discovery. He padded around in the simulated rain quite content for a full five minutes before deciding he was done.

And so this evening in our dark apartment, lit only by the purple LED christmas lights that we are certain cause no heat, we all stood for a few moments in the tub, twelve paws together in the cool water. We humans crouched to put our hands in too, and the cat sniffed our faces. After a first aborted try Mr. Squish seemed to understand. He waited patiently with us until the chill seeped up his legs and into his body.

It’s a good way to spend a Sunday together, I think: lying on the floor in front of the fan and then standing in the bathtub. And then standing, slightly damp, in front of the fan, eight dripping sets of prints leading from one to the other.