Neighborhoods

A boy once believed that no matter how far he went, he’d still be where he was from. That this defining character set would tie him to others, to where he’d grown up, to the person that he’d grown into. Years later does he still believe these things? That the love of fall on the east coast of the United States is an overwhelming sign of good taste, and that fixing a car late at night in driving snow represents the pinnacle of perseverance? Would he still dismiss those from further afield, as though their homes hadn’t provided similar lessons?

In my mind he would not. He has grown well, aged into a person of a different place. We are no longer close, this boy and I, partially because I no longer live on the east coast of the United States. Partially because I no longer live in the United States. Partially because, as the world grows, and we into it, such qualities shrink. They shrink not in difficulty, or beauty, but in scope. Fixing a car in driving snow becomes a challenge of location. Fixing a car in the desert’s blazing sun with no habitation for dozens of miles matches it, and that recognition changes the original pride.

We are not where we are from, yet knowledge of that place explains us.

As does the sense of scope. Meeting an unknown friend in the chill heat of a Shanghai apartment where the walls seep cold into the night as the heater pumps out dry air filled with warmth, our shared location becomes an isolating factor.

“Those two are from Ithaca.”

As though that makes us the same. As though we’re both really from the same place. As though we shared the same city, and through it clothes, manner, dress. We do not. Because it is not just countries that are too large to possibly contain their population with the single adjective allowed them in popular humor.

Because countries have directions, and cities neighborhoods.

Yueyang lu is tree-lined, residential, until the bars. Yongjia lu has some shops, some restaurants, and more trees. Couples walk hand in hand and boys chase each other in and out of the school nearby. Guards watch both, and mingle in front of the Painting Institute, huddle inside their huts in chilly weather, and smoke incessantly to relieve the mind-numbing passage of time. I whisper through it in the mornings, past the fleets of women and men with their child on the rear of their bicycle for the morning lift to school before they head on to work. I slip up Yongjia, heading west, across Wulumuqi lu, past the brief block of Anting lu, to Hengshan’s bustling cacophony, busses and taxis competing with the whistle of a half-dozen crossing guards watching the five roads carefully for signs of lawlessness. Their stares and squawking whistles slap me awake, and I pause before pushing on to Gao’an, and then left up Kangping. This is the border of my neighborhood, Hengshan and Gao’an. On a map it might continue to Wanping, two blocks further west, at the edge of the park, or two blocks further north, to Huaihai or Fuxing, with their commercial bustle. East, perhaps the edge lies at Xiangyang or Shanxi, or even further, Maoming or Ruijin Er. But limits of a neighborhood are not drawn so clearly. They are shifty fleeting things of time and walking distance, of community, of school districts, of architecture, of income, of simple recognition. Xiangyang is far enough for me.

And it is with these decisions, often without thought, that we separate ourselves. So two children of New York, of the City, of the same college, of so much shared experience that to their company over diner in a small apartment in Shanghai they blend and blur, opinions overlapping, can argue, can push against the common box. Manhattan and Brooklyn are so different, they protest, and their high schools, completely different. Several others in the room agree with small nods, not necessarily of New York, but with the familiarity of past discussions, past attempts to prove their own location.

A girl, in an interview, on her home.

“Baoshan is a great place to live, a better district than Xuhui or Huangpu.”

But aren’t Xuhui and Huangpu more ‘downtown’, more convenient, her questioner wonders.

“No, Baoshan is downtown, it is the center of Shanghai.”

The fragility of her argument is made precious by her belief. Her questioner does not note Shanghai’s spherical nature, it’s circular boundaries, and it’s series of encircling rings, containing at their heart four districts, and spreading outwards. With no argument of population, nor commercial value, no mention of business districts, shopping, night life, a simple circle placed atop Shanghai’s mapped existence will reveal Baoshan’s distance from the circle’s center.

In Jintan, weeks ago, a girl wandered the street with her harmonica as the Ode to Joy found its way through her cupped fingers. The street, it’s four shops, one restaurant and two houses all mingled in a run of concrete buildings, paid her no mind. Perhaps she plays and walks each morning, in the chill of January’s end, and is a common site in this neighborhood of her birth. Along Yueyang’s shaded walks she would surprise, her clothes and accent out of place, her harmonica sure to please the foreigners who are so frequent now.

Up Xinhua lu, still rolling west, having crossed the barren spread of Huashan and touched Huaihai briefly, the neighborhood changes. From Huashan’s vacancy and Huaihai’s bus-filled rumble, Xinhua is a deep breath of space and trees again. The shops, and passers-by, are not those of Yueyang, or Yongjia. An older community, fewer foreigners, less military, more Japanese. The difference is immediate and comforting. This is where I work, this is where I eat lunch and mail letters. This street, across Dingxi lu, is being renovated, but not built up. There are but two towers, and even those are slightly at odds with the surroundings, slightly shunned by the baozi eaters cradling their dumplings on the opposite corner where the bank and steamed bun shop still stand. The tower, with its coffee shops and cell phone dealers, is the stranger, something not quite of this neighborhood, but here. So small and fragile are these distinctions, built on collective consciousness. And so hard to remember, from outside.

In celebration, time

Cities are built in our minds as layers of stories, novels, photographs, brief visits. To live in them is not to dispel, but to add, not to remove, but to complement. The romantic vision of Paris still exists, after months of work-time drudgery, at another angle of view.

I moved to Shanghai on a vision and some faith. The Shanghai of my dreams had no maps, had no daily commutes. The Pearl Tower didn’t hover over the river, wrapped in pink reflections and the smoke of a thousand explosions. The small houses of the French Concession weren’t torn out and re-furbished, weren’t divided up and re-occupied. My vision, from this angle today, is hard to find. Perhaps it was of Hong Kong, or Tokyo. Perhaps it was actually of Pingyao or Changzhou. There were never this many fireworks, not on a Sunday night in early March. Not enough to have my walk home lit by hundreds from every street corner. Not a week after Chinese New Year, post vacation. Not by every employee, nor with such glee. The Shanghai I left Tokyo for was never wrapped in smoke that flashed green and red, that sparkled, that deafened with the thudding boom no smoke could shield me from.

Watching the suits roll out of Hong Kong plaza at noon on a Wednesday, out of Plaza 66 at 6 pm on a Friday, I wonder where the Shanghai I anticipated has gone. That strange land of Chinese people and mystery, of abduction so literally named that tempted me from afar.

What does New York look like to a boy growing up in Italy? In Mexico? In Bolivia? In Shanghai? What are these visions that drive us all to move across oceans, to push past distance and imagination, and what then do we find?

One night the bar is filled with collars, shirts starting to come un-tucked as Friday’s challenges recede into memory, as beer one’s grateful relief becomes beer four’s sudden enthusiasm. The pool table holds it’s own against the dart boards, the barman counsels whisky choices, Man U scores again and again in slow motion on a pirated Philipino cable channel. Outside on the balcony he’s hard to hear.

“Shanghai didn’t have any streetlights when I got here. Now everything is neat.”

The difference between the Shanghai of imagination and the city of reality coalesce around his sentence, around the bar, around the sense of order possessed by New York, London, and Hong Kong, that of money. The global city that airline customers inhabit with such ease slips over the imagined city of men on plastic stools eating at pasteboard tables outside stone houses with no running water, their jackets square cut a reminder of the ’40s, their bundled half-dozen layers a reminder of the season and the lack of insulation.

Wreathed in smoke tonight it’s hard to tell the two Shanghai’s apart. Zhaojiabang Lu is a mish-mash of explosions and quiet conversations in posh restaurants, parents taking their families out to huge meals, their servers running out the back between courses to set off crackers with the cooks. The smoke wraps the Audis as they attempt to park in multiples on the sidewalk. The smoke masks the specks of red paper and spots of ash that litter their roofs. The cigarette-selling woman stands, arms crossed and grinning at the scene, beside her friend the fruit vendor. They smile as they chat, these women who watch everything that passes on this street: weather, Audis, firecrackers, construction cranes, trees, men with axes, police.

The Shanghai of my dreams was really of someone else’s, or of fiction loosely based. My own stories of Shanghai are fragmentary, dependent on time, mood, luck, and friendship. The Shanghai of Economist editorials, of NYTimes stock rumblings, of factory openings and shipping schedules is likewise a fiction, an abstraction of the complete picture. Shanghai’s dumpling women standing in the steam mid-morning, water pouring down their faces and hair half tucked back, do share this city with the collar-popping crowd of Louis Vuitton fashion watchers, of Guandi party dancers, of dkd bouncers. My commute to work and the school child’s ride, tucked behind their parents on the scooter, are made on the same streets that Zhang Jimen’s Mercedes takes, that is then swept by hand by a blue-uniformed man who pulls his cart behind him.

Yet for everyone the moment comes, “Shanghai’s changed,” it slips out, or “I remember when we could,” or “Back when …” Our visions falter, caught up in who we’ve become, thinking that the city is likewise obsessed, that the stories are not complementary.

Somewhere in this city is a boy just arrived from a foreign country, unable to speak, uncertain of where he will live when the hotel bill comes due. Somewhere in the city is a girl writing a novel that will lure him here once translated. Somewhere in the city is a visitor preparing to leave, is a teacher preparing to travel on holiday, is a student studying unfamiliar characters, is a man renting a small place all his own.

The Shanghai I was curious about from Japan is hard to see through the smoke of enthusiastic celebration. The Shanghai of my vision, so often forgotten these intervening years, was masked with a haze of confusion, of desire, of ignorance and hope. Tonight, walking home beneath colored thunder, these cities are not as far apart as they seem. They are the same, and have always been.

Months away, and back

In this other city people do not bicycle to work. They log hours of life in automobiles, invest those hours watching license plates for amusement: words paid for simply to alleviate this drone. They have made a collective decision that fifty dollars per person would benefit everyone by giving some form of humor to the mindless jerk and roll of stop and go freeways.

But this is not the difference that surprises. Los Angeles is a city built on the automobile, and we are all aware of the ramifications. That is, we are growing aware of the ramifications. That is, we are still hopelessly inconsiderate of the impact. A sixth grade class, full of boisterous cheer at their opportunity to ignore textbooks, all with their hands raised, desperate to answer.

“The worst problem in Shanghai is the traffic.”

“I think the pollution is the biggest problem.”

“There are too many cars.”

Sixth grade. My next sentences are predictably icy, the strange lack of remorse that age and clarity bring.

“Raise your hand if your family has a car.” Three hands out of thirty six.

“Raise your hand if you want your family to have a car.” Thirty six hands out of thirty six, with one tentatively slow.

We are not different. The failings are repeated, the desires are mirrored. The time spent in automobiles is not a difference of desire, but a lack of time. In five years, the situation will be mirrored on both sides of the Pacific. Those who contest that statement contest only the number of years, not the fact.

No, the difference that provokes is the one that wakes me each morning, asleep on a leather couch that may not really be, that is green and welcoming, for the first week, and then becomes a strange combination of place to collapse and position to avoid.

The difference is light.

Shanghai is a city built upwards in leaps, towered with an enthusiasm seldom seen by man. It is built of concrete, and of steel, solid rock, sand. These are not items of comfort, they are items of quantity, of ability, of speed, and of cost. These are apartment blocks, yet the concerns of the living are attached last, afterthoughts, minor inconveniences their tenants will suffer through for the next decade, or two. Heating, the entire building a cement shape with no insulation, no space in the walls save for water and electricity, is bolted on to each apartment individually, small blocks to transfer energy out when hot, in when cold. They litter the sides of every building, frequently upgraded, moved, readjusted, individually purchased. The purpose of these buildings is to shelter, not to house. To cover, not to hold. Water pipes are run without thought of pressure, electricity without thought of human use. One line runs to the ceiling center in each room, one ends near the door, one on the far wall, and out. Any further adjustment requires chiseling through the wall and then patching, destroying the cement that is in all cases already too fragile. Too much sand, an irony in a city sinking slowly into it.

In Los Angeles, in Venice, by the beach, I sleep on the sofa of an apartment that is not, for it once was a house. This second floor may have been a deck, half exposed, later walled in when the internal stairs were removed. This is a building built for a family, converted to house three. It is wood, and it creaks in the wind, or when the neighbors start dancing again. It is softer, and warmer, and full of light. The walls are windows, open in the sunshine, sheltered by blinds in the night. The sunlight that wakes me could do so from any direction, my sleeping position visible from any side of the building. In Shanghai’s apartment tower each room gets one window, no more. This does not mean wall space is wasted, but that each apartment has so little of it that faces outwards. That each apartment is a cave, a container, stacked to the sky.

This is not a new surprise. New York knows it, Tokyo and Hong Kong as well. But the strange darkness of my apartment without electricity, even in the longest summer, now has a starker contrast, the well-lit afternoons in Venice, even on the shortest day.

It is a lack of windows, and a lack of wood, both small items that speak to speed, money, and numbers, rather than craft, people, and the desire to inhabit a space full of light.

Three bicycle moments

He is in his fifties, hair going white at the roots, dyed almost red at the tips that whisper about behind his head. He squints into the onrushing breeze, his knuckles clenching the grips. The scooter’s square frame long ago went out of style, it’s rear compartment has been taped together and the tape cut, replaced by twine. His pants are gray, half of a suit long separated from it’s kin. Purring and puttering in parts down this leafy block, he does not move too fast for this Sunday afternoon. He stops thirty yards short of the next street, not at all for traffic’s sake. Stepping off, left leg still stiff, as though injured, he pauses, left hand still holding the bike upright. After a moment’s concentration, right foot on the ground, balance precarious with the left leg tethered so, he opens the seat compartment and rummages in. After a moment he withdraws thick black plastic frames, almost safety specs. He dons them without pause, his hair waving in the breeze. The straight leg scuffs it’s sole across the scooter, and he is off again, never once considering traffic, never once unsure of his glasses’ capacity to clarify.

She walks slightly behind the bicycle’s rear wheel, her black dress whipping against her stockings, it’s formal length strange on this wide open stretch of road. The heels of her boots clink on the pavement, a staccato counterpoint to the angle of her voice as it spikes at his back, a chisel of words outlining fault. Two steps ahead he pushes the bike, shoulders slumped in the winter jacket, slacks neatly creased. Shoes of black leather look unworn, unfit for cycling. The bike is a dull red, it’s basket black, the rear’s flat metal shows telltale signs of it’s second life as a seat. Her words slip past, around his body, sharp barbs of condemnation that match precisely the tear in her stockings, the scuff on her coat’s elbow. They walk past me like this and on for yards, the harangue common in any language, the blame, the lateness, the fine dress for a Saturday luncheon neither will make. The cold air of Pudong’s November envelopes them both, and I wish a better afternoon, some warmth and friendship, and a safe ride home at their vanishing backs.

His arms are straight outstretched, his mouth wide open, his eyes large. These are the features I notice, that convey his emotion long before I can see the source, it’s wreckage hidden by the taxi’s teal side. It was once a bike, the form clear in the mind, if not on the street. Two wheels, one now slightly less than round. Pedals, each distinct if slightly rusted. The frame itself, painted black but whipped by wind and weather, rust showing so much like moss on an old maple walnut in a clearing near the stream on my parent’s property. The handle bars are truly mangled, and I wonder at the impact. The taxi blocks my view, any indentation on the other side. Its driver stands, abashed, his arms at his side, apologetic yet uncertain in the center of the rider’s onslaught. In the taxi a girl types on her phone, explaining the delay, reassuring a boyfriend, mother, classmate. I am whisked past them, traffic picking up again, my taxi escaping the dangers that weave through our lanes on two wheels. I follow him, my head turn the only expression of sympathy I have, trapped in this steel box. Tomorrow morning I will join his side again, dodge the teal and yellow shapes, speed through intersections with hope, and be indignant when crushed, as all so at a loss must be.

Counting smiles

A city can be measured by men using many tools. Depending on their interests men use numbers of their own kind, height of structures they have built, goods they produce in this place, or wealth those goods become. Internally people use different measurements, involving trees, air quality, or beaches. Moments long passed in time become common points of local reference, creating pride, used in turn by those whose business it is to categorize the scope of human gatherings.

There are, of course, as many ways of counting as things to count, and, today, another:

Electric bikes do not sputter or put or rumble or grind. They whisper along the roadside, allowing their rider a chance to view the world in seclusion, in motion. Invulnerable to the attractions of the road I slip by those wating for the bus with but one pause: to count their smiles.

A city can be judged on size, on money, on age. A city can be judged on smiles it creates.

In the fresh light tomorrow when all have awoken at their tallest, spines uncrunched by the weight of the work week, count them in passing. I have watched the crowds of Tokyo, the masses of New York, the push of Boston, the rumble of San Francisco, the throb of London, the cacaphonous mass of Shanghai for them, I have noted their absence, their brevity, their toothless gaping.

Bangkok’s gridlock, Beijing’s smothering smog, Los Angeles’ comparisons of wealth on wheels, Hong Kong’s suited seriousness, each one just another number of smiles. One more metric to be valued or dismissed. Shanghai lingers though, it’s smiles those of self-confidence, of emergence. These voices have been heard before, in the Economist, the New York Times. Shanghai is the up and coming, the Rio of two thousand plus. Buzzword-happy and building vertical, Shanghai is claimed to be the whirlwind home to the changing times.

Not my city.

The Shanghai I know, of noodle stands and street vendors, of stalls selling stuffed animals whose names mean nothing to their pushers, is a city born of mercantile desires wrapped in lives. No one is from here, really. The Shanghai locals, their dialect a wall cutting off the rest of China, are just farmers, traders, sailors, workers, migrants, a hundred and fifty years on. This city, these people on the street, they’re just getting by, getting through, working on, passing over the dirt, the construction, the smog, the smothering traffic, the government edicts, the relocations. These people, biking next to me in the mornings, crashing into me in the evenings, interrupting me at traffic lights, commenting on my coat, my hat, my face, the cuts, the bike… they’re just living the way I’m living. They’re just smiling back at my smile.

And I count smiles.

These smiles, they’re signs of appeasement, of flirtation, of frustration prevented, and of pure joy. They’re signs of Shanghai’s gift, of this city, and the people who’ve built it, the people who survive it.

Aren’t they anywhere?