At the end of the year we look back, and tell stories. Often the stories are of people now distant or places we are far from. At the end of this year then, as the cat sits next to me, I will tell you two. Out the window to the right I can see the Marin Headland, and the tree in the back yard still has leaves. To a boy from New York, on the thirty first of December, this is worth noting. The ends of most years fade like most days, salvageable only with focus. Some though swim strangely before me, raised by music, perhaps, or phone calls, the voices of people involved.
In one of these memories a group of boys wander Shibuya, having taken the Saikyo line in from Saitama. They wear coats, for the weather is chilly, and have champagne in bottles in their bags, awaiting the midnight hour. Excited, they enter bars for brief moments, a single beer or a few songs on the dance floor. Occasionally they encounter familiar faces, and sometimes one or anther is left, engaged in conversation, while the rest spill back out onto the streets, where the real party is. They meet up in intersections, stairwells, and public spaces. They are not alone, the city is alive, from the video screens on famous buildings to the pulse of music from every doorway. These boys are young, and in love, in that way that young boys far from home can be, with Shibuya, with people everywhere, and with the evening. They cheer on strangers, and chat with bouncers who are likewise entertained by the celebration. They buy drinks in cheaper establishments and tend bar in fancier ones, as it is that kind of evening, people slipping in and out of roles and positions, gaining a phone number, a friend, or a bottle of gin. As midnight nears they re-unite, somehow coming close enough in the throng to pass champagne to each other, all part of a large circle of people they do not know. The Hachiko exit of the Shibuya station, made famous by countless movies, is an impassable mass of bodies, and the memory ends with the champagne.
Another year, another country, and the image I remember is of Huaihai, it’s lanes blocked by police for a show, a parade, and then fireworks. The year ending is celebrated by Chinese dance teams, by dragon costumes, and by the all-encompassing smoke of fireworks set off both in patterns and in fistfuls. A group of friends have wandered in from various edges of the crowd, working their way in one side street or another to try for a better view of the stage. This memory is from the years where Huahai at Huang Pi Nan Lu feels like the center of the city, before Shanghai sprawls out and becomes familiar. Zhongshan park is still unfathomably distant, and taxi rides avoided despite their scant cost. The parties of this winter are fueled by three kuai baijiu mixed with two kuai coke. But on this evening everything seems still, despite the throngs and the fireworks, the constructed stages and the pulsing lights. Even the crowds are patient with each other, at the end of the year. People wait, and help children up on to shoulders, they let old people to the front and climb phone booths carefully, concerned for the plastic and glass. It is a cold evening, and most have bundled up in hats save the construction workers, who watch from the edges hands in the pockets of their suits. After the show ends a couple walks home down the center of the street, holding hands as they step over the debris, broken costumes and expended fireworks. The crowd, which had filled seven blocks, is gone within thirty minutes, and, as they walk east, the street is given back over to cars by the elevated road, the new year already arrived, and the city returned to it’s plan.
At the end of the year we look back and we tell stories. Tonight, with some new friends and some old, we will go looking for celebrations, lucky to have had so many.