Trapped in a window seat, 53A, between Tokyo and Shanghai. Reading Gibson, brought with me as a talisman, a way of accessing a certain mind set. Few authors can pull my hopeful brain, my dreaming mind, up from the cover of organization and functionality that I have layered over it.
We move so freely, the few of us lucky to have been born into the rich countries and jobs of the late twentieth century business environment. We schedule calls and flights in varying time zones with such frequency that the ability becomes the important part, not the impressive part. We layer organization over the impressive moments in our lives: descending into Hong Kong at daybreak and seeing the islands, oceans, and ships with the first rays of sun splashed across the shallow green water. We sleep through ascent out of Tokyo in the rain, neon splashed across the bay’s dark surface. All too often we stand in the courtyard of a remote factory or temple staring at our phones rather than at our surroundings.
Sometimes sleep is necessary. Frequently phones bring human connection with their distractions. The world was never as simple as we imagine, and we were never as free.
Reading fiction that is likewise trapped between the chance of the future and the truth of the present is a good way to spend these strange hours of international travel that themselves are mundane and amazing. And books, like always, are a good reminder that writing is a good way to convey hope.