You said something

Looking down at Taipei from the top of Taipei 101

“I think it’s Wednesday, the evening, the mess we’re in-
The city sunset over me-

We spend the weekend in Taipei, on bicycles and in playgrounds, in restaurants and a friend’s home. It’s the kind of quick hop short haul weekend we imagined common on moving back to Asia. It’s the kind of weekend that was common, in 2018, when we moved to Hong Kong.

It was also our first time in Taiwan since a frisbee tournament in 2019, and our first time seeing these friends since Tokyo in August of the same year. We celebrate their birthdays, remembering the last time we did so, when they lived in Singapore. The intervening years go unmentioned. They will always go unmentioned, in these conversations. Gaps in our lives filled with bouldering and surfing, with ping pong and big decisions.

The sum of these years has finally arrived. Pandemic babies play together in the play pen, both almost one. I help the older daughter, now six, walk across a high bar at the park, and watch her cartwheel and jump. We race most everywhere we go, on foot and on scooter. Everyone has changed jobs since our last conversations, everyone’s career is in a new phase. Our collective values have changed: the mornings are earlier and the nights likewise, and the restaurants all have high chairs. It’s a phase, and one we are happy to share. Our ability to visit each other while residing in different countries, while all out of the nation of our birth, has been a dream for so long that it feels historical, ancient. At some level the boys who started writing each other letters on paper from China and Japan in 2002 are fully grown, able to say “see you soon maybe in Tokyo” and mean it. In some ways there is always so much more to learn, the people we are woefully incomplete. In some ways the world itself has proven unreliable, and those promises are, we now know, subject to powers mostly invisible. For the next phase we will try to be better partners, better parents, and still our old selves, hard working and athletic, curious and well-read. The conversations reflect these challenges, and discussions of starting consultancies and building a regional client base mingle with conversations about finding pre-schools, about the gift of child care and the pleasure of bike-able neighborhoods. This last is a wonderful gift, something we miss in Hong Kong, and Clara’s first bike rides are happy ones, on Taipei’s bike share and sitting behind one of my oldest friends. Taipei’s combination of density, Mandarin-speakers, and trees gives us a good feeling, and we promise to return soon, to keep making these short loops while we live so near.

At the end of the weekend we say goodbye lightly, having forgotten or chosen not to remember that the last time it was for four years. On the way home we talk about how good it feels, to be out in the world with our daughter, to be able to travel lightly, as we always hoped.

She won’t remember this trip to Taiwan, or probably the next. The lightness of travel, though, and our comfort with it, though, the foundation of a family at home on the go, that we think she’ll remember, one way or another.

Quoted lyrics from PJ Harvey’s ‘This Mess We’re In’, from the 2000 album Stories from the City, Stories from the Sea

Lights go out

From the 27th floor I watch the towers towards Leighton and on the hill above Tai Hang. From this height the city seems organic, a creature all it’s own. Like a good view in any metropolis, zooming out gives a sense of the spectacle possible in big cities, the beauty of the Kowloon skyline and sunsets over the Peak. More often though a good view gives a sense of our place in something bigger, and the patterns common in all our lives. As the light fades the towers in front of me pulse with a slow rhythm. Room lights wink on as their inhabitants come home from work, blink out as those same people move rooms. From this height, from this distance, none of the people are visible, just the shape, the gradual twinkle of a city big enough to have so many apartments in a single view. I imagine bedroom lights turned on, work clothes shed, bedroom lights turned off. Kitchens that fill with cooking, balconies where laundry is reclaimed from the sun’s drying rays. I imagine children home from school, helpers wrapping up their shifts. In some buildings the lights have an automated feel, the elevator lighting each floor as it’s doors set off motion detectors, or a hallway that lights to greet those returning home, switching off to energy once they’ve closed their door.

Watching the city twinkle, my own Hue lights on dim purples and oranges, the Nanoleaf triangles pulsing light blues and pinks, I am at peace. I’ve always dreamed of living with a view like this, of a city so big as to feel organic, a place we could disappear into, inhabitants of one box out of so many. It’s a feeling I love, one of the reasons I adore city pixel animations, the slow pulse of human life with the humans invisible at scale. Watching the container ships pass in the harbor, the whole harbor itself, is similar. So many people living on so many boats, near invisible not just globally but from any view that can take in the boats in number.

Like similar views of Central Park, of Manhattan from Brooklyn, distance brings beauty to the chaos of navigating crowded streets, to the humidity of Hong Kong’s crowded shopping districts or parks on weekends. Finding beauty from an air-conditioned distance is sheer luck. For the first four years here my view was much closer, much more personal, only a few floors up above a busy 7 Eleven. I loved the city then too.

The picturesque pulse, though, exists in a different realm, not just part of my love of density. As PJ Harvey sings, from my memories a lifetime ago in Queens:

“On a rooftop in Brooklyn
At one in the morning
Watching the lights flash
In Manhattan”

Quoted lyrics from PJ Harvey’s ‘You Said Something’, from the 2000 album Stories from the City, Stories from the Sea

Sleep when

For a long time the person I used to be wondered what he would remember. He took photos to invite recollection, and put songs on repeat in foreign hotel rooms to build clear trigger points. Looking back now these were the tactics of someone on the go, someone with little stability in their day-to-day.

Of course they were.

One factory looks much like any other, and one hotel room likewise. Evenings spent alone in third tier Chinese cities quickly blend into one another. The songs playing in each room, then, the books read over dinner, or the long walks around unknown neighborhoods late at night can easily become the trip’s defining moments. Days spent in conference rooms, while productive, rarely lend themselves to emotional recall. Certainly less so than an evening spent looking up at the sky as it starts to rain outside the National Theater in Taichung while listening to Mariah the Scientist’s ‘Reminders’ on repeat.

Years later, the person I’ve become knows there’s another way to make memories: watch someone else change and work to remember the differences. I try to appreciate new abilities by recalling what was impossible last week. For a long time, a few weeks, I watch 5’s try to raise one knee high enough to get onto the lower of our two sofas. Suddenly one morning she can do it, the strength or the flexibility, the height or coordination, whatever was lacking, now present. Her smile as she turns, that first time, and claps to show me her new seated position on the couch, that’s a memory worth holding tight. She still can’t make it onto the other couch, two inches higher. I wonder how long it will take.

The tradeoff, of course, is that I have no ability to place this memory in any context, no ability to remember what day, what age, or what I was doing otherwise. Much like the factory day in Taichung before my late night walk, where everything except the moment outside the theater has been lost. Memories like these are worn down by lack of sleep, by the pace of our life and the passage of time. All memory of which day she first climbed the sofa is likewise blurred, though it was only a week or two ago.

I still play music on repeat. Knowing it’s value I still try to build associations, triggers that will bring me back to these rainy typhoon days in Hong Kong, when 5’s is not yet one. These sounds or sights that might remind me of both adults working as hard as we can around our new responsibilities. These are lucky opportunities, two startups that might, just might have a chance, and we with the energy, the support, and the ability to grind while also playing sports, while also caring for our daughter. Barely, but we do.

And so after yoga on Friday I walk back towards the MTR station and home very slowly. In my ears Tracey Thorn sings songs I’ve never heard before, her first album with Ben Watt in twenty plus years. I listen with my whole body. Will these sounds bring back this spring, bring back Hong Kong, later and in other contexts? I can’t really know, but I hope so. I’d like to remember these rainy evenings, or her smile as she wakes. And I know my memory needs assistance, from years of helping it along, and months of sleeping less than I ought.

Considering the benefits

On a Friday afternoon I walk to a shop in Mong Kok in search of new climbing shoes. The errand itself is unremarkable, and takes 30 minutes. The transit, from my small neighborhood on the island to one of the world’s densest places, takes another 25 each way. The act, of walking through crowds in the sun, listening to music and shopping for myself, makes me feel at peace. In between work calls and projects, in between growing with 5’s and working on fitness, it is good to find and feel myself out in the world. It is good to be able to walk to a store.

In the morning, after my early calls, I walk to a small noodle shop in Tai Hang, pausing in the sun as a taxi passes, looking up. As a colleague told me yesterday, it’s good to look far away in between moments of focus. I do. The noodles are fresh, the concrete not as cold as a week ago. Looking at the walk ups on the streets surrounding the dai pai dong, with their windows flung wide, with laundry on the roofs, I smile. In between each moment of stress is a beautiful moment of peace.

Waking early I greet the cat. It’s seven am and he, like myself, is not fully awake. The difference lies in the schedule, as he was up fifteen minutes prior to eat when his dish went off, settling back onto the furry blanket to knead and nap again, stomach sated, just before I woke. Together we pad to the kitchen, him to search for kernels and me to get my metal cup, purchased in Bangkok last fall. I brush my teeth and dress in the second bathroom, as quiet as I can to let the non-cat household members sleep. Cup in hand, I leave the apartment in search of coffee. Children are waiting for the bus, are questioning their parents. I think of 5’s asleep upstairs and smile. Our future is sometimes strangely visible, laid out like these uniformed youths, their lunches packed and shoes tied. One day.

In the afternoon, after a long morning of calls and before an evening of the same, I walk to a coffee shop some ten minutes away. They serve bagels all day, and have an open storefront that provides atmosphere and cover. It’s early April, and the weather is perfect, warm in the sun and cool in the shade. I treasure these moments, these rare months in Hong Kong where neither air conditioning nor heat are truly necessary. They’re brief, lingering only in March and April, in November and December. Four months a year is enough, I feel, to remind us how good the world can be. Better to cherish each day than to be spoiled by the Bay Area’s constant temperate climate. Or at least that’s what I tell myself, here in the beautiful days before the heat squelches every desire.

These are the good moments, documented to remember the benefit of Hong Kong. After a few rough years I’ve learned to write down the good when visible. My memory will appreciate the augmentation.

In an alley

Across a small street from the trash collection point in Tai Hang, the workers rest in an alley. It’s their break room. They eat lunches there, sometimes shucking their fluorescent yellow vests for a few moments. Underneath the one small tree, they have water, sit on the curb, or listen to music. These folk, whose job is to collect trash from around the neighborhood and bring it, by cart, to this collection point, are critical to Tai Hang’s survival. These men and women serve as the intermediary between the towers full of apartments and the truck that picks up rubbish from the collection point every day or two. This is Hong Kong’s system, replicated all over the city. It allows for smaller streets, denser buildings, and neighborhood collection points. Many of the collection points, like this one in Tai Hang, also have public bathrooms. Well cleaned and maintained, these bathrooms are frequented by locals, tourists, and taxi drivers. In this one, one of two in the tiny Tai Hang neighborhood, the walls are tiled with mosaics. The men’s side with shades of red, the women’s with shades of blue, mirroring the colored signs. Everyone who’s ever visited us, after using them, has commented on how nice they are, and how they wish wherever they are visiting from had public bathrooms like these.

In the alley, on a weekday morning, I often use this bathroom. After four hours of zoom calls I’m confused and a bit tired, and head out of the house to get noodles on a stool in one of these alleys. I often eat at ten or eleven, in time with many of the taxi drivers and the fruit stand staff, folk who work early mornings and then have a mid-morning lull, like myself though unlike. In these off hours, when there are non of the weekend’s lines, we frequent Tai Hang’s famous cha chaan tengs, enjoying the milk tea that will draw crowds on a Sunday. These weekday mornings are part of my love for this neighborhood, part of why I know so many faces, and they me. Sitting in the shade of an awning, on a small stool, we smile and nod at each other over noodles and coffee. It’s a good life, in the alleys.

And so it is that walking back from bathroom to noodle stand on a Tuesday, I pass the trash collector’s break spot, and see one of the men sitting, having tea from a thermos at a small desk they’ve scavenged from the trash pile. The alley has a couple of items like this, office chairs or small shelves, re-possessed by this team for their bags and belongings, for their lunches and rests. The man is facing the wall, relaxing in a posture that speaks to burdens carried. In front of him, on a chair, is a round white clock, five past eleven. And in front of him, carefully held in tiny pots, are two white orchids, their stems crossed as they lean.

In the small shade of this alley, next to his trash cart and surrounded by a few chairs, someone’s laundry, and the miscellanea of discarded life, his table is a moment of peace that I’m glad to see.