Sitting twenty two stories up above Shanghai, I watch the weather and listen to music. Or rather, I look into the weather, a fog of fading white that makes tall buildings invisible only a mile away. I look down at the roofs of shorter buildings, many still under construction. I look at the wall of the nearest tower, its surface covered in the soot of years in this air.
Shanghai’s view does not surprise, though friends ask when I post photos how I, asthmatic, cope with the air. I cope like everyone does, by breathing in, breathing out, and moving forward. By focusing on what there is to do in front of me rather than what there is all around me. Instead of focusing on what there is inside all of us.
It is Sunday, and I am relishing the peace in between weeks on the move. Sometimes that is the greatest gift of hotels in foreign countries.
In May of twenty thirteen I spent a week in Tokyo for work. Living out of a perfectly-designed-for-it’s-size hotel room, I wore a suit and went to izakayas with customers in the evenings. It was the culmination of years of dreaming; suddenly I had a job that took me to one of my favorite places, that gave me a place to stay and a view that I loved. Taking the subway around the city to meetings gave me a glimpse into being a business man in a network of concrete built for them. Pouring out of Hamamatsucho station with the crowd in the evening, walking the two blocks to my room at Hotel MyStay, and taking part in the Tokyo rituals again after so long left me in a perfect mood. With enough time spent alone, work travel has a way of building an atmosphere. After three days of this compact life I was ready for company, mentally.
The National’s Trouble Will Find Me was released that third day. Letting it play in that tiny hotel room for the three days that followed gave me a fresh environment to layer the new music on, to integrate it into. The album became a soundtrack to that week, to convenience store breakfasts and late night FaceTime calls. Now, two and a half years later, a lifetime away, sitting in a hotel room twenty two stories up above Shanghai, those songs still takes me immediately back to Tokyo.
“Don’t make me read your mind / You should know me better than that”
My current hotel room is much larger, China not lacking space the way Tokyo does. The residents also don’t enjoy the neat confinement of items, the precise layout required to maximize utility. There are extra mirrors and more wood than strictly necessary. Outside of this room China sprawls, with more huge buildings going up to demonstrate ability rather than fill need. Driving to Ningbo last week we crossed the long bridge that spans the bay, avoiding the even longer drive around its circumference through Hangzhou. That longer circle was the only option when I traveled this route frequently by bus in ’06. Reaching the far shore, the bay’s south edge, we saw a cluster of towers, maybe thirty, residential and at least twenty floors each.
“What are those,” someone asked, meaning what is that town, what is that city.
No one answered. A cluster of identical buildings, they were clearly built in a single go. There was no town nearby, nothing else on the shore of the bay. Why so many apartment towers then, and why so tall? Because space is not an issue in China, and size even less. There are millions of people within an easy drive, millions more within a few hours, all seeking housing and an opportunity. This is China.
In Tokyo everything is tightly constrained, each building wrapped in between all the others. So much so that buildings are often strangely shaped, L’s or T’s or other letters, unable to be squares or circles.
“Jennifer you are not the only reason / My head is boiling and my head is freezing”
And I remember steaming my suit before meetings, looking in the mirror while working through my pitch for the day. Organizing my notes in the evening and lying on the bed looking out the window as night fell on the city.
Tokyo will always be with me, part of the story of this music. Or this music will always be Tokyo. Some times blending a place and a feeling, a set of songs and a mood, shapes everything we do for years. Sometimes it is just a way of etching time into our minds, deeply enough that years later we are astonished to realize how long ago that was, May of twenty thirteen.
“If I stay here, trouble will find me / If I stay here, I’ll never leave…”
Quoted lyrics from The National’s ‘I Should Live in Salt’, Fireproof’, and the title track off of the 2013 album Trouble Will Find Me