Rooftops, carts, and cats

The streets of Hong Kong are packed with delivery motion. As Manhattan swirls at three am, so does Sheung Wan bustle in the morning as dried fish in vast quantities is hauled off trucks by men with giant metal hooks. At break time they leave these implements carelessly in giant bags of rice, handles up, points embedded in the compacted mush. Each sack in turn is flung from truck to cart, bundled up into a store, frontless, wares open to the air. Each bag is sliced open and dumped into bins for later measurement again, into smaller bags individually carried home. So many stairs in this city, so much vertical travel, and all of these homes furnished, all of these kitchens filled, all of this waste removed. What of this massive expenditure every day, to carry vegetables home to supper? The cost of yet another tower does not include this.

The carts themselves, ubiquitous on the streets, will be tied to poles at the day’s slackening, around three. Their metal handles, circular and hollow, will fold down to the bed, compacting the entire device into a rectangle of green steel with four blue wheels. The wheels are fixed. These carts are so basic, so mass-produced, and so communal that they have neither names, nor dates, nor manufacturer’s brand. The flat slats of metal that form their weight-supporting base seem not to mind the pounding of sacks tossed from trucks, the blue wheels seem not to heed the curbs they are perpetually banged into up and over. At least one per shop, the carts outnumber the trucks, themselves a half-dozen, most with Japanese engines. There are, later in the evening, twenty carts scattered around unoccupied and seeminly unowned on this three-block stretch. A sense of public space pervades this city, which has so little that all must be carefully shared.

In a park near Lan Kwai Fong a trio of ladies rehearses a dance routine at mid-morning, before the rush of lunch and smokers, after the street sweepers have cleared the broken bottles away.

From our Sheung Wan rooftop the cats seem multitude. They scale the construction site, they swarm the streets and fences, alleys. This vantage point reveals their secret paths, startles one with their numbers, the city below in constant motion. Strange too, as most of the cats I find on the ground spend large periods of time hunkered down beneath some shade. It is early April and Hong Kong is beginning to sweat. We lie on the roof top at night, assailed by mosquitos, in gym shorts, barefoot and considering the skyline. Rooftops like this are a gift, sitting as it does above an apartment that barely slept five, all laid out next to each other, last November. The roof top triples the floor space. The roof top raises the ceilings to the clouds.

Which are themselves coming down. The air here is getting worse, the view shorter than it used to be. So they tell me, people everywhere during these two weeks. So I can see from my vantage point, high above Sheung Wan and watching. The air may indeed be getting worse, smog pouring out of Shenzhen, Guangzhou, all of the motherland to the west. Hong Kong remains the most beautiful city I know of, a mass of thin towers and green peaks that slide into the water in a confusion of street vendors and colonial organization. For two weeks in April it is a gracious host to me, a peaceful place of feline grace and hand-pushed cargo transport, and I am glad of the hospitality.