When I was a child the Ramada Inn was one of the tallest buildings in Ithaca. Now called the Hotel Ithaca and a Holiday Inn in between, it’s a nondescript building in a city that’s gotten taller. In the early ‘90s though the tower stood out. The bulk of the hotel is a standard two story structure, but on Cayuga street there is a ten story tower with a great view of downtown. It also has a glass-walled elevator that facing north, towards the Commons and the heart of Ithaca.
Towards the end of high school I spent a lot of time in this elevator, usually late at night. As it rose above the second floor and the roofs around, Ithaca spread out. With hills and the towers of Cornell and IC on them, there are a lot of good views in Ithaca, but not many downtown or indoors. Or there didn’t used to be.
For a few years the comic book conventions were held at the Ramada, and so a couple of weekends a year I’d spend a lot of time there, helping out and wandering around. Somewhere in this time I learned about the elevator, and the view from the 10th floor. More importantly I learned that there was a side door to the tower and no one cared if I walked in and just rode the elevator up to watch the city.
So I did.
In that Chang’an hotel the first time I was surprised. From the lobby’s white lights and interior feel the change is sudden, especially at night. Glass backed, the elevator lifts through the atrium walls and out into the night. Dongguan spreads out to the hills and beyond, lit but muffled. Across the street the shopping center flashes neon and behind it apartment towers fill with the light of evening. Below, on the roof of the hotel’s lobby and restaurants, a curved pool shines from its own light. The unlit portion of the roof fades as the elevator continues upwards, immersed in the dark of the evening. Further out across the city other towers blink or beckon. Office towers darker, apartments bright, shopping brighter still. With rooms between the 10th and 15th floors, the ride is long enough to notice, and to enjoy.
Only the middle two elevators get the glass treatment. The others, for a repeat visitor, feel like a waste, metal boxes without any view. Returning, I’m glad when door 2 or 3 open. After a few days of this I tried to remember other glass elevators I know of. Long term parking at SFO. A hotel on Union Square. And that old Ramada. More, surely, but those are the ones that stand out immediately.
Wherever I go, indoors or out, I always want a better view or a higher perch. Elevators represent that, a chance for a better view, though usually not so literally as my Chang’an hotel’s four options and 50% chance. Even without a glass wall though, there’s a view implied by the building’s height, the buttons outlining just how high, a maximum number. While I’ve always wanted to check every floor, the highest one calls most clearly. I am not alone in this. Witness the world’s tallest bar, hotel, restaurant, deck, pool, and gym, each promising a view in addition to their primary function.
In Tokyo I used to enter office buildings at random, seeking ways up to a view of the city that I love. In Shanghai I started trying hotels, which often have a bar or deck at some height. The best moments, though, come with discovery of glass walls on the ride up, the feeling of leaving the earth behind.
Space elevators are going to be the most amazing things.