inhab.it

The summer is here, I am told. Out the window the fog swirls in solid grey, and the red leaves on the scraggly tree blow in the wind as they did in November, and March. The days are long, but there is little blue in the sky. Based on the view this could be Shanghai, though this gray is made of water and that of coal dust. From the middle the result is the same, opaqued horizons and indistinguishable hours. Yet Shanghai, like Tokyo and New York, has a summer built on human sweat, a constant stick and resulting search for showers.

I hear distant friends wish for air conditioners, tired of their summer’s humidity and temperature. These faint desires barely penetrate my house, where the windows remain closed to keep out the chill wind. They are the desires are of some other place, unfathomable in San Francisco.

In conversation today a friend mentioned how hard it was for him to make time to travel, to leave his normal routine. I agreed, being scarcely able to imagine other locations, much less see them. We are two people prone to settling in, I said, to routines that are of us rather than of the place we inhabit. In Beijing we did much the same thing as Shanghai, or as Tokyo. We did much the same as last month in New York. The idea that there is a global common of airports, cities, parks and restaurants, bicycle rides and museums, long postulated, is indeed true. We are wrapped up in our location and have trouble stepping quickly out of it, or even remembering that such steps are possible.

But we move, he shot back, we move more than anyone we know, up and down and around and around this blue planet, to strange cities and strange cultures, with jobs and without, before our friends and after them, until we have almost no home, no single place with any deep attachment. How then can we be simultaneously sedentary, so unaware of the possibilities of weekend travel, when we are vagrant, groundless?  He does not know.

From Vancouver I receive an emailed answer that penetrates the fog, which is also one.

“China seems so long ago,” writes a friend from my first years there, “like a dream, I wonder if that was me.”

Houston’s humidity, Tokyo’s hot concrete, even New York’s sweat-filled excursions of a scant month ago are hard to recall from the fog of July. I know them, from personal experience, but my body does not remember the heat, can not bring back the memories to my skin. We may move, all of us, in circles large or small, but where we are is what we see. My friend in New York, like myself, travels more than he admits, to Maine one weekend, to New Jersey the next. I do too, to Seattle, to Los Angeles. The problem is separate, and simple. From his air conditioned office and my socked in desk on a Tuesday these voyages are hard to remember, and our bodies are no help.

“I’m living in my head,” my friend confides, “like old times in China.”

We are half creatures of the world, exploring and learning as we can, and half reluctant cohabiters, uncertain of our joy in other’s company. The balance is a delicate thing, a scale fine enough to be tipped by weather.

In an apartment in Venice four blocks from the Pacific I once knew a boy who fell asleep to The West Wing in the evenings.

I did too, on green couches whose supporting structure would poke at our ribs as we dozed. Those couches are long gone, and the apartment, with it’s drawbridge and fence, now houses people I do not know. Watching The West Wing again, four or five years later, the opening chords of the theme bring that scene back to me instantly. Those two boys were exhausted as they lay down, eyes closing almost before the DVD player could spin up. They had been working long days, from early light to well past dark. They had gone out too, with the exuberance of friends whose lives were usually separated by the Pacific. They were given only those scant hours between work and sleep to enjoy a decade’s worth of camaraderie, and the bar tab often showed their dedication, before the couches claimed their tired bodies as the TV panned over the White House.

This past week, the DVDs freshly arrived from Los Angeles, we’ve spent hours inside that world, appreciating the acting and laughing at jokes written most of a decade ago. Yet the love for Charlie and Josh, the rueful awareness of my own personal Toby-esque nature, the support for CJ and Donna, these are not the first emotions that opening sequence calls forth. And that is strange, because the emotions that returns immediately, the deep hope and desire so strongly intertwined with those couches and long days in Los Angeles, no longer exist.

In two thousand five, two thousand six, those boys did not fall asleep to The West Wing simply because of exhaustion. Each morning those two boys would rise, perhaps having moved from couch to bed, perhaps still in their clothes, and head to work again. They would get coffee at Groundwork on Rose and discuss a television show neither of them had truly seen. Instead of the episode’s plot they would discus how pleasant it was, just for a moment as they woke in the morning, to believe Martin Sheen the President of the United States.

Habits are our ways of making peace with the world. By repeating small actions, by safeguarding our hopes with nightly support, we build structures capable of carrying us through disheartening turbulence. Between two thousand and two thousand eight I built a life on the other side of the planet to protect my hopes for this country. In Los Angeles for business I learned how my friend had handled the same challenge. He’d fallen asleep to The West Wing every night instead of the news.

In San Francisco now, we have a President who expects me to understand his arguments, if not Latin, and I still appreciate the show. The writing is deft and the characters nuanced despite the tiny snatches that an ensemble drama demands. But the magic that made its theme a daily habit is gone, and it is good, mired in new challenges and striving to protect different hopes, to remember how far we’ve come and how impossible such progress once looked.

In the first week of May I am again fully focused, spending every waking hour on a single project. The old advice, long in mind but rarely in practice, returns to my thoughts: “be where you are.” In the Exit Theater, putting up Giant Bones, I am. Email goes unread, phone calls unreturned save those from other crew members who call seeking lightbulbs, battery holders, wiring advice. They have been up for days. Together, in a single week, we erect a giant, hang curtains, wire chandeliers, hang them, position speakers, paint stairs and build puppets. As a theatrical load-in the week is both utterly standard and completely overwhelming. At eight each evening we stop, reluctantly, dirty and hungry, and watch as the cast responds to the space and our changes. Some days they are energized by the developments, excited by new scenery and costumes. Some days they are overwhelmed by the technical glitches, by the exhaustion, and by the unfinished props. Yet each evening, for two or three hours, we all believe, remembering why we are here, and have been.

When the run ends we resume work, we clean up, fix things, compare notes, and drive each other home. Some of us sleep in the theater, or don’t, working instead through the dark hours.

It is a tricky task, to be where we are. Often in life we are distracted by far away people and problems, disasters and politics. The challenge of remaining relentlessly focused and completely aware of our surroundings is too great, hence the element of mysticism associated with those who have mastered it. Sometimes though a constraint, a limited number of people and hours, a limited amount of space, can focus the mind and make magic. At sixteen and twenty that magic was my greatest love.

Wonderful, here at thirty, to have the feeling back again, if only this week.

The sound of children playing does not change with their language. In Shaoxing last week, in San Francisco now, they scream and run in games I no longer get to play. Much of the nostalgia for childhood stems from that inability to join.  Easter egg hunts, bouncy castles, and no-touch-ground tag are forbidden pleasures. Hearing adults mourn the loss of youth, speed, and freedom I think that our desire is not just to escape current responsibilities but to return to a world where foursquare or tetherball were defining tests.

In fourth grade, at Waldorf school, the tetherball rankings went down into the thirties, with a complex system for challenging those above at morning break and recess, or before the busses after school. By sixth grade the scene had shifted and wall ball, played with a racquet ball against the school’s yellow rear, was the kingmaker.

In two thousand ten the children yell and run and I try to understand their games. Outside of the Shaoxing train station they play a strange version of freeze tag while I cart my suitcase up the low concrete stairs. The frozen child counts down and, if not re-touched, becomes the “it”, the chaser. In San Francisco they streak down the sidewalk, an aunt or family friend repeating one line over and over without using either of their names. “Do you see the sign,” she says of the red man blinking as they approach the intersection with eyes only on their race. Around the lamp post they spin and back again. I step aside, laughing. I am certain they do not see the sign. As they sprint back past her still warning form I wonder how long it would take them to join the Shaoxing game? Mere moments, probably. Children do not have the restraint that we do. And having it, we call it fear.

Could that be what we’re wanting, remembering youth so fondly? Not the game itself, but the lack of fear in challenging the eighth best tetherballer in school, a seventh grader, to a lunchtime battle? The lack of fear of injury, or humiliation. Indeed it’s opposite, eager acceptance, or perhaps total blindness to risk. Yet that is not true, and the humiliation of not scoring a point against an older student was well known. But the rewards for bravery were so tangible in the oral rankings every student knew.

This weekend I saw my cousin, six, on video chat. It was the first time she’d seen herself projected, or me. The first time she’d seen me at all in a year, more. Around her the adults watched, impressed by the technology.

“I found a bunny in an egg this morning,” she told me.

“Really?”

“It’s orange and fuzzy.”

“What’s it’s name?” I asked her as she raced off to find it.

Last year while he was bored at a reception I handed another boy my iPhone, which he’d never seen, a baseball game on the display. He grabbed it and sat down, experimenting with the tilt and tap controls. The timing took him several tries, but the understanding of what he needed to do barely a second. The context of my conversation with my cousin, or of the baseball game, mattered not at all. Were it in my power to place either of them amidst those Shaoxing children, or vice versa, would they be too stunned by context to absorb the games?

As I wandered Changsha’s back alleys last week, exploring half-abandoned railways, two girls playing some game of balance and chatter shouted at me, testing English words and my ability to respond. When I did so, in both English and Chinese, they turned away, back to their game. Their lack of surprise at my ability to speak Chinese, their entire manner of easy comprehension and acceptance shocked me because it seems globally so lacking in their elders. I think they would fit in well, those two girls in matching uniforms, at this street race in the Sunset. Indeed it is this comfort, this ease of exploration, pleasure at strange games, and quick acceptance of facts that I am often searching for with travel.

Perhaps it is not something that needs discovering, but remembering.

Title  from an Alphanumeric hoodie I once owned in Japan, whose tagline was “For adults with childlike eyes,” a classification I aspire to.

Last Thursday on Irving, between 19th and 20th, a man was shot to death in front of Phở Huynh Hiep 2. PHH, as it’s known locally, if it’s known at all, is a Vietnamese place, in as much as every restaurant must seek inspiration somewhere. Despite its plate glass windows and fluorescent lights it is popular, filled daily at noon and 7. Although some swear by rival PPQ, directly across the street, I can tell no difference.

Returning to America I must remember many things, from the proper place for crossing streets to the inadvisability of discussing someone while they are standing beside me. Crosswalks are interesting artifacts, but remembering to use both them and common courtesy is part of my cultural re-assimilation.

Working in theaters in SOMA or the Tenderloin and walking home late at night, assessing danger is another.

Asia is, in most regards, a phenomenally safe place, especially as a westerner. Ask any expat in Shanghai how many times they have fallen asleep in a taxi and how many of those rides have ended poorly.  Their answer will reveal the carefree manner in which I once navigated the world. This is not to suggest taxis in San Francisco, Houston or New York are unsafe places to sleep. Rather it is a demonstration of the security and comfort that I found in Shanghai and Tokyo.

The dispute on Irving does not bring fear to me. Police were watching, and the perpetrator arrested immediately. A violent dispute between Asian gang rivals over the correct choice of phở shop is not the fear I remember, nor do I think it should be. The homeless man passed out on the steps to the Civic Center MUNI & BART station is the fear.

“Is he dead?” I ask myself. And then, more disturbing, “how would I know?”

Would I even notice, care, or act? I step over his sprawled form. He grunts something about money. He is not making music.

In the evening, after the show, I suggest meeting at a bar.

“Should I come get you at the station? Sixth street is sketchy.” The question is not chivalrous. It is born instead of a confusion, an awareness of how much I have forgotten. Is this neighborhood safe? Should I be worried for a woman walking alone? How should I solve this problem? This is the challenge of remembering fear.

In Shanghai we would walk home across most of the city at four am, certain only of our destination. There might have been desirable neighborhoods and less acceptable ones, but there were no areas to be avoided. There were no streets filled with drunk homeless men shouting. Drunk homeless women shouting. There were, and are, injured beggars, crippled children, destitute old men, but they do nothing more than occasionally bang their money bowls into passing arms and legs. In Shanghai the largest threats are bike thieves and pick pockets.

Looking at apartments in the Tenderloin in September we marveled at their size.

“The ceilings are so high!” we told each other, heads tipped back.

“It is cheap,” we acknowledged. The windows were large, and the ceilings arched overhead with delicate moulding. Spacious, almost grand, it was an apartment of a forgotten style, when buildings were built for the feel of the place, rather than the number of square feet or the view or the efficiency of use. We were not blind to modern improvements such as windows that would contain heat and faucets that did not clatter when running, but there was a majesty to this old building, to that wasted corner space where the walls curved, making shelving impossible.

“There were six sex workers on this block,” she said. I nodded. I was imagining telling her parents where we had moved, and their first visit. I was imagining walking home late at night, or waiting for her to. I was trying to remember how uncomfortable this should feel, how afraid I should be.

We decided the number of crack dealers and sex workers was higher than we would be comfortable with, sitting alone in the apartment waiting for the other to come home. We decided that it was not the kind of neighborhood we wanted our parents to see us living in. We decided the ceilings were pretty, but the landlord lackluster.

We moved to the Sunset, which is more Asian, more friendly, less dangerous.

A man was shot on our block.

Everywhere we go, we ask ourselves if this is a good restaurant, that a good bar, this or the other hotel a better deal. We constantly seek the places locals like, the normal, comfortable situations. We are not unique, other travelers seek this information also. It is the desire to understand, born of a suddenly obvious lack.

Returning to America after years abroad I find the challenges similar. Can I leave my bike on the street? Bring it into the bar? Take it on the train?

What is safe, and what is normal? Where are we again?