inhab.it

In the spring of twenty ten I take up running in the mornings.

At work for much of the last two years on a novel that is taking its time, the chunks of story assembling like the preface to a giant Tetris game on my computer, in my notebook, waiting for the busts of inspiration that will fit them together without seams, I am restless.  Like Gibson, I “force myself to turn up every day, in case the writing also decides to.”  Often it does not, and my body, unaware of our shared dedication to a craft that requires hours spent seated, grows antsy.  So, in the mornings, through Golden Gate Park on the edge of the Pacific, I run.

Only one other time have I run regularly, independent of sport. The two years of my life in Tokyo that were without ultimate drove me to action, to waking up early on my days off and putting five kilometers under my feet before beginning anything else. Strangely those were productive days too, for the writing, and I wonder if Murakami is indeed on to something.

Living here, in the San Francisco of chilly mornings and fog-filled skies, I do not hesitate to challenge my body. The weather will not, an entirely predictable space of days that veer between fifty five and sixty eight without producing sunshine or true rain. At thirty I am slower than twenty two, a change that others have discovered before. Where once I would hurdle the obstacles that separated car traffic from pedestrians in quick repetition for several blocks as I wound my way around Yono Honmachi I now pant up the hills of the park, their dirt surfaces tricky on the ankles. The cold ambushes my lungs, and some days I walk a block or two on each end of the steeper sections, an acceptance of age I gave no thought to in Saitama. There are other things I do less frequently as well now, the climbing of water towers on apartment buildings, or light posts, or tiers of balconies. Yet slacklining has strengthened my ankles, and my throws are better, proof that not all things have been neglected. So too does the habit of jumping random object return, in opportune moments like New York afternoons or Shanghai evenings. But in San Francisco, in the early morning after lunches are made and carpools departed I put on shoes purchased in Los Angeles for this very purpose and wear my body down. Half an hour is sufficient, a fifteen block loop through foliage that sometimes contains cats and sometimes homeless people. Back in my house, face flushed at the sudden return of warmth, I celebrate with pull ups, jumping jacks, sit ups and a shower. It is not Murakami’s religious devotion to the road but it does seem to help.

With coffee fresh and mind full I then can sit at this window, looking out at the world, and compose, my mind awake and body stilled.

The summer is here, I am told. Out the window the fog swirls in solid grey, and the red leaves on the scraggly tree blow in the wind as they did in November, and March. The days are long, but there is little blue in the sky. Based on the view this could be Shanghai, though this gray is made of water and that of coal dust. From the middle the result is the same, opaqued horizons and indistinguishable hours. Yet Shanghai, like Tokyo and New York, has a summer built on human sweat, a constant stick and resulting search for showers.

I hear distant friends wish for air conditioners, tired of their summer’s humidity and temperature. These faint desires barely penetrate my house, where the windows remain closed to keep out the chill wind. They are the desires are of some other place, unfathomable in San Francisco.

In conversation today a friend mentioned how hard it was for him to make time to travel, to leave his normal routine. I agreed, being scarcely able to imagine other locations, much less see them. We are two people prone to settling in, I said, to routines that are of us rather than of the place we inhabit. In Beijing we did much the same thing as Shanghai, or as Tokyo. We did much the same as last month in New York. The idea that there is a global common of airports, cities, parks and restaurants, bicycle rides and museums, long postulated, is indeed true. We are wrapped up in our location and have trouble stepping quickly out of it, or even remembering that such steps are possible.

But we move, he shot back, we move more than anyone we know, up and down and around and around this blue planet, to strange cities and strange cultures, with jobs and without, before our friends and after them, until we have almost no home, no single place with any deep attachment. How then can we be simultaneously sedentary, so unaware of the possibilities of weekend travel, when we are vagrant, groundless?  He does not know.

From Vancouver I receive an emailed answer that penetrates the fog, which is also one.

“China seems so long ago,” writes a friend from my first years there, “like a dream, I wonder if that was me.”

Houston’s humidity, Tokyo’s hot concrete, even New York’s sweat-filled excursions of a scant month ago are hard to recall from the fog of July. I know them, from personal experience, but my body does not remember the heat, can not bring back the memories to my skin. We may move, all of us, in circles large or small, but where we are is what we see. My friend in New York, like myself, travels more than he admits, to Maine one weekend, to New Jersey the next. I do to, to Seattle, to Los Angeles. The problem is separate, and simple. From his air conditioned office and my socked in desk on a Tuesday these voyages are hard to remember, and our bodies are no help.

“I’m living in my head,” my friend confides, “like old times in China.”

We are half creatures of the world, exploring and learning as we can, and half reluctant cohabiters, uncertain of our joy in other’s company. The balance is a delicate thing, a scale fine enough to be tipped by weather.

In an apartment in Venice four blocks from the Pacific I once knew a boy who fell asleep to The West Wing in the evenings.

I did too, on green couches whose supporting structure would poke at our ribs as we dozed. Those couches are long gone, and the apartment, with it’s drawbridge and fence, now houses people I do not know. Watching The West Wing again, four or five years later, the opening chords of the theme bring that scene back to me instantly. Those two boys were exhausted as they lay down, eyes closing almost before the DVD player could spin up. They had been working long days, from early light to well past dark. They had gone out too, with the exuberance of friends whose lives were usually separated by the Pacific. They were given only those scant hours between work and sleep to enjoy a decade’s worth of camaraderie, and the bar tab often showed their dedication, before the couches claimed their tired bodies as the TV panned over the White House.

This past week, the DVDs freshly arrived from Los Angeles, we’ve spent hours inside that world, appreciating the acting and laughing at jokes written most of a decade ago. Yet the love for Charlie and Josh, the rueful awareness of my own personal Toby-esque nature, the support for CJ and Donna, these are not the first emotions that opening sequence calls forth. And that is strange, because the emotions that returns immediately, the deep hope and desire so strongly intertwined with those couches and long days in Los Angeles, no longer exist.

In two thousand five, two thousand six, those boys did not fall asleep to The West Wing simply because of exhaustion. Each morning those two boys would rise, perhaps having moved from couch to bed, perhaps still in their clothes, and head to work again. They would get coffee at Groundwork on Rose and discuss a television show neither of them had truly seen. Instead of the episode’s plot they would discus how pleasant it was, just for a moment as they woke in the morning, to believe Martin Sheen the President of the United States.

Habits are our ways of making peace with the world. By repeating small actions, by safeguarding our hopes with nightly support, we build structures capable of carrying us through disheartening turbulence. Between two thousand and two thousand eight I built a life on the other side of the planet to protect my hopes for this country. In Los Angeles for business I learned how my friend had handled the same challenge. He’d fallen asleep to The West Wing every night instead of the news.

In San Francisco now, we have a President who expects me to understand his arguments, if not Latin, and I still appreciate the show. The writing is deft and the characters nuanced despite the tiny snatches that an ensemble drama demands. But the magic that made its theme a daily habit is gone, and it is good, mired in new challenges and striving to protect different hopes, to remember how far we’ve come and how impossible such progress once looked.

In the first week of May I am again fully focused, spending every waking hour on a single project. The old advice, long in mind but rarely in practice, returns to my thoughts: “be where you are.” In the Exit Theater, putting up Giant Bones, I am. Email goes unread, phone calls unreturned save those from other crew members who call seeking lightbulbs, battery holders, wiring advice. They have been up for days. Together, in a single week, we erect a giant, hang curtains, wire chandeliers, hang them, position speakers, paint stairs and build puppets. As a theatrical load-in the week is both utterly standard and completely overwhelming. At eight each evening we stop, reluctantly, dirty and hungry, and watch as the cast responds to the space and our changes. Some days they are energized by the developments, excited by new scenery and costumes. Some days they are overwhelmed by the technical glitches, by the exhaustion, and by the unfinished props. Yet each evening, for two or three hours, we all believe, remembering why we are here, and have been.

When the run ends we resume work, we clean up, fix things, compare notes, and drive each other home. Some of us sleep in the theater, or don’t, working instead through the dark hours.

It is a tricky task, to be where we are. Often in life we are distracted by far away people and problems, disasters and politics. The challenge of remaining relentlessly focused and completely aware of our surroundings is too great, hence the element of mysticism associated with those who have mastered it. Sometimes though a constraint, a limited number of people and hours, a limited amount of space, can focus the mind and make magic. At sixteen and twenty that magic was my greatest love.

Wonderful, here at thirty, to have the feeling back again, if only this week.

The sound of children playing does not change with their language. In Shaoxing last week, in San Francisco now, they scream and run in games I no longer get to play. Much of the nostalgia for childhood stems from that inability to join.  Easter egg hunts, bouncy castles, and no-touch-ground tag are forbidden pleasures. Hearing adults mourn the loss of youth, speed, and freedom I think that our desire is not just to escape current responsibilities but to return to a world where foursquare or tetherball were defining tests.

In fourth grade, at Waldorf school, the tetherball rankings went down into the thirties, with a complex system for challenging those above at morning break and recess, or before the busses after school. By sixth grade the scene had shifted and wall ball, played with a racquet ball against the school’s yellow rear, was the kingmaker.

In two thousand ten the children yell and run and I try to understand their games. Outside of the Shaoxing train station they play a strange version of freeze tag while I cart my suitcase up the low concrete stairs. The frozen child counts down and, if not re-touched, becomes the “it”, the chaser. In San Francisco they streak down the sidewalk, an aunt or family friend repeating one line over and over without using either of their names. “Do you see the sign,” she says of the red man blinking as they approach the intersection with eyes only on their race. Around the lamp post they spin and back again. I step aside, laughing. I am certain they do not see the sign. As they sprint back past her still warning form I wonder how long it would take them to join the Shaoxing game? Mere moments, probably. Children do not have the restraint that we do. And having it, we call it fear.

Could that be what we’re wanting, remembering youth so fondly? Not the game itself, but the lack of fear in challenging the eighth best tetherballer in school, a seventh grader, to a lunchtime battle? The lack of fear of injury, or humiliation. Indeed it’s opposite, eager acceptance, or perhaps total blindness to risk. Yet that is not true, and the humiliation of not scoring a point against an older student was well known. But the rewards for bravery were so tangible in the oral rankings every student knew.

This weekend I saw my cousin, six, on video chat. It was the first time she’d seen herself projected, or me. The first time she’d seen me at all in a year, more. Around her the adults watched, impressed by the technology.

“I found a bunny in an egg this morning,” she told me.

“Really?”

“It’s orange and fuzzy.”

“What’s it’s name?” I asked her as she raced off to find it.

Last year while he was bored at a reception I handed another boy my iPhone, which he’d never seen, a baseball game on the display. He grabbed it and sat down, experimenting with the tilt and tap controls. The timing took him several tries, but the understanding of what he needed to do barely a second. The context of my conversation with my cousin, or of the baseball game, mattered not at all. Were it in my power to place either of them amidst those Shaoxing children, or vice versa, would they be too stunned by context to absorb the games?

As I wandered Changsha’s back alleys last week, exploring half-abandoned railways, two girls playing some game of balance and chatter shouted at me, testing English words and my ability to respond. When I did so, in both English and Chinese, they turned away, back to their game. Their lack of surprise at my ability to speak Chinese, their entire manner of easy comprehension and acceptance shocked me because it seems globally so lacking in their elders. I think they would fit in well, those two girls in matching uniforms, at this street race in the Sunset. Indeed it is this comfort, this ease of exploration, pleasure at strange games, and quick acceptance of facts that I am often searching for with travel.

Perhaps it is not something that needs discovering, but remembering.

Title  from an Alphanumeric hoodie I once owned in Japan, whose tagline was “For adults with childlike eyes,” a classification I aspire to.