inhab.it

In an apartment in Venice four blocks from the Pacific I once knew a boy who fell asleep to The West Wing in the evenings.

I did too, on green couches whose supporting structure would poke at our ribs as we dozed. Those couches are long gone, and the apartment, with it’s drawbridge and fence, now houses people I do not know. Watching The West Wing again, four or five years later, the opening chords of the theme bring that scene back to me instantly. Those two boys were exhausted as they lay down, eyes closing almost before the DVD player could spin up. They had been working long days, from early light to well past dark. They had gone out too, with the exuberance of friends whose lives were usually separated by the Pacific. They were given only those scant hours between work and sleep to enjoy a decade’s worth of camaraderie, and the bar tab often showed their dedication, before the couches claimed their tired bodies as the TV panned over the White House.

This past week, the DVDs freshly arrived from Los Angeles, we’ve spent hours inside that world, appreciating the acting and laughing at jokes written most of a decade ago. Yet the love for Charlie and Josh, the rueful awareness of my own personal Toby-esque nature, the support for CJ and Donna, these are not the first emotions that opening sequence calls forth. And that is strange, because the emotions that returns immediately, the deep hope and desire so strongly intertwined with those couches and long days in Los Angeles, no longer exist.

In two thousand five, two thousand six, those boys did not fall asleep to The West Wing simply because of exhaustion. Each morning those two boys would rise, perhaps having moved from couch to bed, perhaps still in their clothes, and head to work again. They would get coffee at Groundwork on Rose and discuss a television show neither of them had truly seen. Instead of the episode’s plot they would discus how pleasant it was, just for a moment as they woke in the morning, to believe Martin Sheen the President of the United States.

Habits are our ways of making peace with the world. By repeating small actions, by safeguarding our hopes with nightly support, we build structures capable of carrying us through disheartening turbulence. Between two thousand and two thousand eight I built a life on the other side of the planet to protect my hopes for this country. In Los Angeles for business I learned how my friend had handled the same challenge. He’d fallen asleep to The West Wing every night instead of the news.

In San Francisco now, we have a President who expects me to understand his arguments, if not Latin, and I still appreciate the show. The writing is deft and the characters nuanced despite the tiny snatches that an ensemble drama demands. But the magic that made its theme a daily habit is gone, and it is good, mired in new challenges and striving to protect different hopes, to remember how far we’ve come and how impossible such progress once looked.

Answering the phone while driving back from the factory to his office, weaving in and out of the oncoming lane to pass trucks and cyclists, his voice shifts. At thirty eight he is a man of no small stature, having already begun to gain the bulk of those well-fed into their later years. The change then, from light-toned questioning with the windows down to this deep-voiced adult, who refers to others as Little so-and-so, comes easily from his body. This voice, devised for business and for those unknown, is not a personal invention. It is a ritual, a method of establishing seniority, sincerity, importance. He questions the faceless caller without pause for several minutes, half in one lane half in another. As the phone clicks off he shifts back to a more gentle set of sounds, but the switch is not as quick. His first sentence begins severe, in this voice of habit, and then becomes a joke, a secret shared between friends.
It is this voice he will use the next day to tell me about the factory’s complaints, about the difficulties they face, and the strictness of my standards. His voice will tell me this is business, that it is his job to say these things, and I will nod, agreeing. Nothing will change.

Without words he pulls the pack, red with golden lettering, from his bag, slicing the plastic wrap from it with a long nail. As he pushes the top open he extends it, though he knows I do not smoke. As I dismiss the offer he swings around to its true target, the third party at our small lunch table, who accepts gladly. He then takes one himself, and procuring lighter from some pocket lights them both. As they inhale he sets them neatly on the table, lighter on top of cigarettes, a deftly handled social calling. He looks at me, then, slowly exhaling, before eyeing his cigarette carefully. The third man puffs away, grateful for the break in conversation.
“You still don’t smoke,” he says.
“No.”
“Neither do I.”

“This weekend we will go to a bar,” he says, “it’s just that I’ve been so busy.” I nod. “I’ve barely had any alcohol at all this week myself,” he continues, “too much work, too tired.” I sympathize. The week has been long, lots of driving and meeting, waiting and watching, but that is not what we are talking about. We have spent hours together, driving around in the patchwork of our shared language, and they are long hours, filled with uncertainties and re-thought opinions. But I agree, if that’s how it happens.
“I haven’t been to a bar in so long,” he says. Two days before he’d admitted that he didn’t understand them, and never went. His wife, across the room, does not look enthusiastic.
“Me neither,” I say. It’s true. We leave it like this, sipping tea and waiting for a phone call.
“Do you even go to bars?” he asks after a minute, as though the idea were new.

They arrive gradually. Each one in turn is slotted underneath a single magnet. Eventually more will be needed, to keep up with their flow. They go up backs face out, a collage of hand-printed lettering. Their fronts contain scenes from this country or others, strange photographs, or sketches made popular not by the artist’s fame but by their very printing.

The longer I inhabit this house the more crowded that space will be, on the freezer’s front. Eventually these first to arrive will be replaced, their pictures long forgotten. They will be read one last time, to revive the memories, and placed in a box that has come with me from Houston, from Shanghai. That box is filled with similar already, and though I can not remember from where, the list of from who comes easily to mind. These ones, fresh delivered to a mailbox I have owned but a month, are a good representation of whose handwriting might also be found in that box. Because, like all habits, that of postcards written and stamped is one born out of repetition, reinforced by reciprocation.

Turning them over now, a momentary cataloguing of their pictures presents me with the Potala Palace, proof that my friends, again, have been on journeys I meant to take myself and have so far not managed. The next is of Brandenburger Tor, ensuring that my catalogue of famous monuments enshrined on postcards continues to grow. It too is proof, though of a different kind: that friends from Shanghai were not as daunted by Europe’s expense and moved eastward. The lessons are similar though, that all of the places I wished to go, whether to visit or live, are as accessible now as they have ever been. Yet here I sit, receiving these in a city in the country of my birth, the borders of which I have not crossed for more than a year.

The last is of Old North Wharf on Nantucket, a beautiful shot of houses with their boats at anchor in place of a lawn. It is America, in the view of water and peace, something I appreciate, from my house mate in Shanghai, who is likewise learning a new coast. It has traveled long, chasing me here from Colorado, to which it was sent at the end of the summer as I fled westward.

As we settle so too do I send out these missives, currently featuring whimsical Japanese art, to the corners of these United States and a variety of countries. I must learn where the post office is, and mailboxes. These worthwhile efforts are fueled by our decorated freezer, and the envelopes of longer letters that lie in the phone nook. For the most part they are small stories of happiness, and share a sense of wonder. Because although we are not beyond our borders, we are exploring, learning a new city and state. And after so long parts of America are as foreign to me as anywhere, all the more so because they ought to seem natural.

I am grateful though for the reminders of places and people I always mean to see, and one day will be glad to.

Those words, for anyone long removed from the later, are some of the strongest.  They bring instant emotion even on a smaller scale, the words of a father on the phone at the end of the workday.  Yet they can be tainted with nervousness at longer exposures, with an underlying uncertainty of what will have changed, and whether home as we remember it still exists.

These words have a new meaning to me, these past few days.  For the first time in several months they again represent a space of my own, of our own.  We no longer rely on the incredible generosity of our friends and families, whose spare rooms and couches,  pull-out mattresses, aerobeds, and attics have sheltered us so well this summer.  The door to this apartment is opened by keys only we possess, and the bathroom will be cleaned by no one else.  There are drawbacks, the shower head slightly too low, the cabinets that do not close on their own, but they are our problems, and I relish the walk to the hardware store that will fix them.

Having mentioned already the secrets each new house presents, the opportunities to re-establish old patterns and form new habits I will only say that, in their absence, I had much missed my house keys and a place to put them.

A year ago I sat on a rooftop in Hong Kong and watched the cats roam Sheung Wan’s streets from far above as the day’s heat soaked back out of the concrete towers and into the sky.  In Houston this last month I have watched them again, how they prowl and play once evening approaches, content out of doors once the sun has fled.  In this complex of houses become apartments there are many, of all colors and temperaments.  With time, patience and an interest in their doings, we become familiar with each other.

Winnie, longer-haired orange and sleek, a rescue from Galveston who spent ten days on a rooftop post Ike, is the new king.  The tufts of fur behind his ears attract attention, and he spends the evenings on his brick doorstep, content to watch others antics in the fading heat.

Magic, skinny young and short-haired black, chases a bullfrog into the shrubs, wild-eyed and bounding.  Winnie waits a moment and then ambles after, as though curious to see what Magic would do with this strange-sounding beast.  Unimpressed he slinks back to his stoop, and ten minutes later Magic is sitting on the wooden bench licking his paws, the bullfrog forgotten.

“How long do their memories last,” a friend wonders, sitting outside around the patio furniture watching a large orange and white cat flirt with Winnie, lured by his low profile and huge ear tufts.  “Do they remember each other or just vague impressions, people or just where they are fed?”  None of us know the answer, and in the perfect warmth of ten pm no one moves to discover it.  Instead we speculate on their behavior, watching Boo Boo, an indoors-only Siamese mix with light blue eyes who has come to the window, his fur pressing through the screen as he watches Winnie and these people.

Milo is the old man of the neighborhood, in time here if not in years.  His family has cut a cat door into the building entrance, dignifying his comings and goings beyond meowing for a helping hand.  Yet he is uneasy as the population swells, Winnie’s arrival followed by another smaller orange and white, and then a black and white hunter, a grey tiger indoor cat, and more.  Milo eyes them from a tree across the street that only he seems able to climb, and, finding him there one evening I think he remembers a less-crowded block, where he could prowl behind shrubs by his lonesome.

How long is a cat’s memory, we asked, and I, packing this apartment with it’s squirrel highway and it’s windows, it’s odd hiding places, wonder how long is the memory of a place?  Will Winnie remember us when we leave?  Milo?  This apartment?  How long until no one remembers us, standing still in the fading light, seeking out the hunters where they stalk behind the bushes.

The black and white, name unknown, chases a lizard as we pack the car, dropping it’s squirming body from mouth to pavement only to bound upon it again as it races away across the pavement.  It is a favorite activity, the lizards numerous and slow in the morning heat, before all things retreat near noon.  They do not remember, I think, these small creatures that flee vertically, climbing the brick out of the reach of Milo’s claws.  This apartment has no memory, save that of holes and scrapes, of hangars left in closets and marks where the dresser touched the wall.  Like the lizards it will be standing here tomorrow, no outward sign of vacancy.

How long do even we remember, though, haughty in our questioning of cats?  Hong Kong, a year ago, has already begun to fade, and this apartment too will be shrunk down, condensed to a smattering of images, like those cats seen from rooftops and visits from old friends.  We move on, inhabiting one place after another, confident in our memories, though less durable than these walls and their scars.  Maybe Magic will wonder where we’ve gone, lying mid-driveway in the morning light where we used both to watch the mail arrive.

For a little while so will I.